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Ask Ed & Sugar: Did P Diddy Pimp Biggie?

13 January 2009 One Comment

Dear Ed and Sugar,

I’m really hyped to see the Notorious movie, but I heard Biggie sold all his publishing to P Diddy. Is that true? And did he at least give some of it to Ms. Wallace after Biggie died?

Tabitha, Philadelphia, PA

biggie

Sugar’s Take

That is the reigning question in my mind. To answer the first part of your question, there is evidence (court proceedings) that suggests it’s true. My answer to the second part is I hope so. I remember hearing Ms. Wallace on the NYC radio waves asking the public to help her raise funds for Biggie’s foundation (which I hear nothing about anymore). My first thought was, and I quote: “I hope Puff put some money in that pot…” I felt like she shouldn’t NEED to ask anyone for a dime because of all the folks that have careers because of BIG. It would be a crying shame if Ms. Wallace is not receiving any funds from her son’s estate. I know it’s rare for artists to own masters, publishing rights and the like, but it becomes even crazier, in my mind, when your own people are giving you the “Bend Over Grover.” It would be nice if Ms. Wallace gets a lil change from this movie. It would be even nicer if she and her grandkids didn’t have to worry about money for the rest of their lives. We don’t know if Ms. Wallace is getting some undisclosed payments from Bad Boy, but it did take The Lox making a public stink on the airwaves to get their publishing. Damn, why they tryin to stick me for my paper?

Ed’s Take

Considering the slavery dynamic of the recording industry, isn’t it ironic that the final format of a recording is called the “Master?” As legend has it, or word from barbershops the world over, in an effort to secure some upfront cash very early in his career, Biggie got pimped for his publishing selling the rights to a shrewd businessmen named Sean “P Diddy”Combs.  But despite what percentage brother Combs owns, one thing is clear, Biggie’s work has fed a ton of folks and served as seed money for the Bad Boy & Sean John empires.

It’s easy to hate on Puff.  I have my own personal issues with him from time to time. He is a prime target. Confident–some say arrogant– fly and flashy. The brother is successful…and with mo’ money comes mo’ problems.  But despite my critiques, which I will cover in a larger piece one day, I tip my hat to the man. Gotta give props where props are due. ( I got Sean John in my closet….and I just sprayed some Unforgiveable after a shower before typing this..LOL!)

To be completely transparent, ethics and the music industry go together like mix matched socks. So, I pray that Ms. Wallace and Biggie’s kids are reaping the benefits of what his talent sowed.  And if not, may the heavens render a verdict on the side of justice.

Got a question; email us askedandsugar@afrostoshelltoes.com!!!

img_5014_5795359Between catching the uptown train to conduct “we luv the kids” writing workshops to dancing rumba on the lower eastside, Sugar Johnson flaunts his creative freedom in various mediums. The actor, vocalist, and educator have not only shared the stage with prolific artists such as The Last Poets, M-1 of Dead Prez, Jessica Care Moore, and Spike Lee, but he also labors to cultivate the forgotten souls of Rikers Island. Johnson made his film debut in Dave Chappelle’s Block Party. The ASCAP member holds a B.A. in Mathematics from DePauw University and will release the poetry collection Food Clothes and Shelter on his imprint Home Grown Publishing, LLC in 2008.

ed-train Award winning writer, educator, counselor, and activist Edward M. Garnes, Jr. is the founder of From Afros to Shelltoes: Art, Action, and Conversation, a nationally acclaimed series of cultural productions confronting the social divide between elders and hip hop heads, and holds a B.A. in English Writing from DePauw University and a M.A. in Counseling from Michigan State University . His seminal essay, ” Sweet Tea Ethics: Black Luv, Healthcare, and Cultural Mistrust,” currently appears in Not In My Family: AIDS in the African American Community, a 2007 NAACP Image Award nominated collection edited by Gil Robertson. (www.afrostoshelltoes.com).

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One Comment »

  • Cris said:

    I love ya’lls voice I swear!

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